This is a still from a batch of footage found in a basement in Australia. It was filmed sometime in the 1930s, by a Sydney dermatologist named Ewan Murray-Wills, and forgotten about. The footage shows dancers in The Ballet Russes picnicking and cavorting on Bungen Beach on their off days. Some seventy years later filmmaker Gillian Lacey and musician Alexander Balanescu used the footage to create a performance piece called Play.
Writing this, I realise, how much I long to see the ocean again. Most nights I walk along the sports grounds where Roger Bannister broke the four minute mile--there's a high fence that runs along the pavement, and for some unexplainable reason, I always imagine an unseen sea on the other side.
We were in the parks one morning, you remember. You had... (Turns page.) Slept in my living room the night before and, uncomfortable, you rose early and suggested we go for a walk before you caught your morning train. You made tea and we took these with us, in mugs. I can still remember the cold of the ceramic and the heat of the tea inside. Also my imagining your feeling the same simultaneous hot-cold feeling on your lips. It had been a cold night and there were heavy mists resting over the field, along the river. The parks were empty. The sun was burning through. Your glasses had steamed up and you took them off, and I can remember you looking at me, somehow more freely than you ever had before, squinting my direction. I could see your breath. I could see your hands were shaking. (Pause.) Then, coming to the riverbank, we stopped, we stopped talking. (She stops reading.) I took your tea from you and threw it in the river. I threw it in the river with mine and you looked at me. I looked back. I tore open your collar, you lifted my dress. With your hand you felt along the inner-seam of me: the same simultaneous hot and cold...
Our characters seem to like to throw things into rivers.
ReplyDelete